fields harrington

Nancy Valladares

MIT List Visual Arts Center, Cambridge

MIT List Visual Arts Center

A white walled room with a wooden table and four wooden chairs in the middle of the room. To the right side of the table there is a wooden pedestal with a gray vitrine on top. A row of three glass jars is hung on the left side of a row of eight glass tubes that are hung onto the wall. There is a black framed drawing hung on the wall to the right of the test tubes.

A white walled room with a tan wooden table and four tan wooden chairs in the middle of the room. To the right side of the table there is a wooden pedestal with a gray Plexiglas cube on top. A row of three glass jars is hung on the left side of a row of eight test tubes that are hung onto the wall. There is a black framed drawing hung on the wall to the right of the test tubes.

A white walled room with a tan wooden table and four tan wooden chairs in the middle of the room. A row of three glass jars is hung on the back wall to the left side of a row of eight test tubes that are hung on to the wall. A wooden bookcase is partially visible to the left of the table.

A white walled room with a tan wooden table and four tan wooden chairs in the middle of the room. A wooden bookcase displaying seventeen books is against the wall behind the table.

A white walled room with a tan wooden table and four tan wooden chairs in the middle of the room. There are booklets on the table with text on the front that reads “On fields harrington Exhaustive Nancy Valladares Rifts.” A row of three glass jars is hung on the back wall to the left side of a row of eight test tubes that are hung on to the wall.

A white walled room with a wooden pedestal with a gray Plexiglas cube on top in the middle. To the left of the pedestal there is a black framed drawing hung on the wall. To the right of the pedestal there is a black and white printed image of Norbert Rillieux behind a privacy filter with black framing.

A white walled room with a wooden pedestal with a gray Plexiglas cube on top in the middle. To the left of the pedestal there is a black framed drawing hung on the wall. To the right of the pedestal there is a black and white printed image of Norbert Rillieux behind a privacy filter with black framing. A tan wooden table is partially visible with two wooden chairs around it at the bottom of the image.

A black and white printed image of Norbert Rillieux with the formula for latent heat in white letters superimposed on the surface. This image is behind a privacy filter with black framing.

A smoke-grey transparent Plexiglas box with the top open contains the by-product of an exothermic reaction. The by-product is a solid black carbon form that has a serpent-like structure and sits inside an aluminum pie pan with black sand. The box is sitting on a tan wooden pedestal.

An ink drawing of Norbert Rillieux's multiple-effect evaporator pan is drawn on a slightly wrinkled newsprint. The drawing illustrates a frontal view of the multiple-effect evaporator pan and the ink line work is wobbly and inconsistent.

Eight borosilicate glass test tubes are mounted onto a white wall using silver metal brackets. The test tubes all have black stoppers in the top. Reclaimed silver from expired photographic film and paper with sodium hypochlorite can be seen in the test tubes.

A white walled room with a wooden pedestal and a gray Plexiglas box on top of the pedestal is on the right side of the image. A black framed drawing is hung on the wall to the left of the pedestal. A row of eight glass tubes are hung on to the wall to the left of the drawing.

Four borosilicate glass tubes are mounted onto a white wall using silver metal brackets. The tubes all have black stoppers in the top. Reclaimed silver from expired photographic film and paper with sodium hypochlorite can be seen in the test tubes.

One borosilicate glass test tube is mounted onto a white wall using silver metal brackets. The tube has a black stoppers in the top. Reclaimed silver from expired photographic film and paper with sodium hypochlorite can be seen in the test tube.

Three borosilicate glass tubes mounted onto a white wall using silver metal brackets. The tubes all have black stoppers in the top. Reclaimed silver from expired photographic film and paper with sodium hypochlorite can be seen in the test tubes.

The corner of a white walled room with a row of three glass jars hung on the back left side wall and a row of eight test tubes that are hung on the right side wall.

Three glass jars with plastic black lids are mounted onto a white wall. Reclaimed silver from expired photographic film and sodium hypochlorite can be seen inside the jars.

Three glass jars with plastic black lids are mounted onto a white wall. Reclaimed silver from expired photographic film and sodium hypochlorite can be seen inside the jars, viewed at an angle from below.

One glass jar with a plastic black lid is mounted onto a white wall. Reclaimed silver from expired photographic film and sodium hypochlorite can be seen inside the jar, viewed at an angle from below.

A white walled room with a wooden table is visible with four wooden chairs in the center. A wooden pedestal with a gray Plexiglas cube on top is visible to the left of the table in the middle of the room. To the right of the pedestal there is a black and white printed image of Norbert Rillieux behind a privacy filter with black framing. A tan wooden bookshelf is visible on the right behind the table.

A white walled room with a tan wooden table and four tan wooden chairs in the middle of the room. A wooden bookcase displaying seventeen books is against the wall behind the table. To the right of the table there is the byproduct of the reaction between reclaimed silver from expired photographic film and sodium hypochlorite embedded into the wall.

A white walled room with a tan wooden table is visible with four wooden chairs in the center. A wooden pedestal with a gray Plexiglas cube on top is visible to the left of the table in the middle of the room. To the right of the pedestal there is a black and white printed image of Norbert Rillieux behind a privacy filter with black framing. To the left of the pedestal there is a black framed drawing hung on the wall. A tan wooden bookshelf is partially visible on the right side of the image.

Byproduct of the reaction between reclaimed silver from expired photographic film and sodium hypochlorite embedded into a white wall.

A white walled room with a tan wooden table and four tan wooden chairs in the middle of the room. To the right side of the table there is a wooden pedestal with a gray Plexiglas cube on top. There is a black framed drawing hung on the wall to the left of the pedestal. A row of eight test tubes are hung onto the wall to the left of the drawing.

A tan wooden bookcase with four shelves is up against a white wall and displays seventeen books, four on the top shelf, five on the second shelf, five on the third shelf and three on the final bottom shelf.

White wall with black title text that reads “LIST PROJECTS 27: fields harrington and Nancy Valladares.” The exhibition wall text is below the title and there is a QR code to the bottom right to download the commissioned book that is a part of the exhibition.

A black and white printed image of Norbert Rillieux with the formula for latent heat in white letters superimposed on the surface. This image is behind a privacy filter with black framing and is being viewed on an angle to trigger the privacy filter.

A white poster that reads “LIST PROJECTS 27: fields harrington and nancy Valladares” with an image of a gray Plexiglas cube is hung next to two glass gallery doors with the same text and beige glowing light.

A white poster that reads “LIST PROJECTS 27: fields harrington and nancy Valladares” with an image of a gray Plexiglas cube is hung next to two glass gallery doors with the same text. There is a revolving glass door for the building to the right of the glass gallery doors.

fields harrington, Nancy ValladaresList Projects 27: fields harrington and Nancy ValladaresMIT List Visual Arts Center, Cambridge

Exhibition Images

fields harrington, Nancy ValladaresList Projects 27: fields harrington and Nancy Valladares
MIT List Visual Arts Center, Cambridge